The Brothers Grimsby: Mini-review


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Sacha Baron Cohen

Sacha Baron Cohen in his pre-Grimsby days

C-The only thing worse than unfunny, tasteless fat jokes, gay jokes, and bodily fluid jokes is hearing those same jokes repeated over and over in the same movie. Sadly, audiences watching The Brothers Grimsby undoubtedly won’t remember its sometimes clever social satire and sharp action scenes. But they will remember a sequence involving Sacha Baron Cohen, Mark Strong, and a female elephant that makes Tom Green‘s Freddy Got Fingered seem like Jane Austen in comparison.

Cohen stars in The Brothers Grimsby as Nobby, an idiotic, beer-swilling, soccer-loving lower class British slacker who was separated as an orphaned child from his younger brother Sebastian (played as adult by Strong). Now, Sebastian is MI6’s top agent, but their reunion goes awry when Nobby inadvertently sabotages Sebastian’s current mission. With Sebastian on the run but still trying to foil an upcoming biological warfare attack, Nobby again tries to provide assistance to his younger brother.

In addition to his starring role, Cohen co-wrote the screenplay and was the driving creative force behind The Brothers Grimsby. He’s willing to play the complete idiot here, a chav version of Inspector Clouseau, but he uses the characterization to make some clever satirical points. For example, Nobby has one of his children (appropriately named Luke, short for “leukemia”) feign cancer to get extra welfare payments. Strong is very good as the straight man here, trying to mask acute discomfort and maintain his distance from his own roots. However, for every genuinely clever joke in The Brothers Grimsby, Cohen includes two or three that even Adam Sandler would reject. The creaky juvenile chestnut about sucking the poison out of a wound in Sebastian’s groin becomes the basis of a stupefying, five-minute routine. Even worse is the aforementioned elephant joke, which goes on far too long as well. Veteran action director Louis Leterrier ably crafts some quite impressive chase scenes in Grimsby, but he’s completely at a loss to keep Cohen in check, allowing bad scenes and worse jokes to drag on. As a result, the film’s 83-minute running time seems far longer. The Brothers Grimsby could have been a lower class counterpoint to the Austin Powers films; instead, it’s an Anglicized version of The Hangover with Sacha Baron Cohen playing all three idiots at once.
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Daddy’s Home: Mini-review


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Mark Wahlberg

Mark Wahlberg scared Will Ferrell away before this photo was taken

B-Good chemistry in a movie can overcome a multitude of sins. A prime example is the current comedy, Daddy’s Home, in which stars Will Ferrell and Mark Wahlberg play off each other perfectly as the dueling father figures in the lives of two young children.  The results are just funny enough in some spots and sweet enough in others to get past a lot of dull stretches.

Ferrell plays Brad Whitaker, a radio station executive who can’t have children of his own and is determined to win the hearts of his wife Sara’s (Linda Cardellini) youngsters. Just when he thinks he is making progress, Sara’s first husband Dusty (Wahlberg) shows up on his motorcycle, eager to reclaim his position in his children’s and his ex-wife’s lives. The somewhat obtuse Brad eventually figures out what Dusty wants, and the battle lines are drawn.

Daddy’s Home straddles the line between a raunchy adult sex comedy and a sweet family film. The PG-13 rating means that the raunch is toned down somewhat, so director Sean Anders, whose previous efforts include the loathsome Adam Sandler comedy That’s My Boy, resorts to slapstick and euphemistic silliness. Watching Ferrell suffer through skateboarding and motorcycle riding mishaps is not funny, and there’s too much of that type of humor in Daddy’s Home. On the other hand, when the cast does go for more adult humor and sexual innuendo, the movie is much funnier. Thomas Haden Church, as Brad’s boss, tells several hilarious, totally off-the-wall anecdotes about his own experiences that seem delightfully ad libbed. Anders also makes good use of comic Hannibal Buress playing a handyman turned long-term house guest of Brad’s, and there’s a great cameo with wrestler John Cena at the end of the movie. Still, it’s the star’s chemistry that carries Daddy’s Home past its rough patches. Ferrell and Wahlberg play off each other brilliantly with classic reaction shots that sell otherwise petty jokes when they engage in their escalating bouts of “can you top this.” Daddy’s Home doesn’t take full advantage of this chemistry or the storyline’s potential, but enough of the jokes work to make this movie a pleasant homecoming.
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Pixels: Mini-review


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Kevin James

Kevin James is the POTUS with the least us

C-It’s no surprise that Adam Sandler‘s latest movie, Pixels, is not very good. What is a surprise is that, for perhaps the first time in his movie career, Sandler isn’t to blame. In fact, without him, Pixels would likely be a complete disaster instead of an occasionally amusing mediocrity.

Pixels is based on what at first appears to be a promising concept. A race of aliens receive transmissions from a NASA deep space probe and misinterpret the greeting messages, which include clips from a video game tournament of the early 1980’s, as a threat. They counterattack, using giant versions of game characters like Pac Man and Donkey Kong that have the power to pixilate any people or objects they contact. In desperation, the U.S. President (Kevin James) turns to his old childhood buddy Sam Brenner (Sandler), an ex-video game whiz, for help.

Pixels is based on a two-minute-long French short, and the sight of Pac Man gobbling up the White House was probably amusing. However, what’s amusing for two minutes becomes completely unworkable over 102 minutes. Once past an initial chuckle, the CGI effects in Pixels look ridiculous rather than funny or in any way exciting. Yet the movie has scene after scene of Sandler and his fellow gamers Josh Gad and Peter Dinklage trying to blast the video game characters with ray guns straight out of GhostbustersComparisons to the AykroydMurrayRamis comedy classic are inevitable and probably intentional, but they only highlight how inferior Pixels is. Sandler actually appears to be trying here and gets in a few good zingers, and his laid back attitude and good chemistry with love interest Michelle Monaghan serve as refreshing counterpoints to Gad’s and Dinklage’s annoyingly over-the-top performances. As for James, the idea of him as President is far funnier than anything he actually says or does. However, in all fairness, not even the Marx Brothers could have made Pixels work. Despite Sandler’s game efforts, Pixels is a movie that never manages to boot up.
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