Whiskey Tango Foxtrot: Mini-review


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Tina Fey

Tina Fey plays it somewhat serious in Whiskey Tango Foxtrot

C+Imagine that Liz Lemon, Tina Fey‘s character in the TV comedy series 30 Rock, had been sent to Afghanistan a decade ago to cover the war there. The results would probably look like Whiskey Tango Foxtrota movie that has a number of entertaining scenes but never quite coalesces as a dramatic whole.

Fey plays Kim Baker, a cable news journalist who tries to jumpstart a stalled career by taking an assignment in Afghanistan. She soon grows to love the mix of danger, sex, and partying that forms the lifestyle of foreign journalists. Eventually, she becomes more serious about a news photographer (Martin Freeman), a relationship that may end when her assignment eventually does.

Whiskey Tango Foxtrot is based on a memoir by Chicago Tribune journalist Kim Barker about her own experiences in Afghanistan. The film consists primarily of various anecdotal scenes featuring Kim with a variety of colorful characters, including an experienced Australian journalist (Margot Robbie) who shows her the ropes, a Marine general (Billy Bob Thornton) with a dim view of journalists in general, and a lecherous local politician (Alfred Molina). Many of these scenes, taken directly from the book, work quite well, especially the relationship between Kim and the general, who grudgingly comes to accept her. Whiskey Tango Foxtrot also paints a bizarre but fascinating picture of journalists partying like there’s no tomorrow in buildings that are oases of booze, rock music, and sex in the midst of a highly dangerous war zone lying just outside the exit door. Despite this often compelling imagery and a solid dramatic performance by Fey, however, Kim never feels like a real character. Instead, she’s a plot device whose character development is shown by montages of her partying in night clubs as the months go by. Whiskey Tango Foxtrot aims for emotional depth in a closing stateside encounter between Kim and a now crippled soldier she interviewed in Afghanistan, but the scene feels curiously flat. As a black comic depiction of the outlandish realities of modern warfare, Whiskey Tango Foxtrot succeeds, but as the story of an actual journalist, it ultimately misses the target. 
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Secret in Their Eyes: Mini-review


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Nicole Kidman

Nicole Kidman adds her considerable star power to Secret in Their Eyes

C+The phrase, “It loses something in the translation,” seems to apply with distressing frequency to American remakes of acclaimed foreign films. The latest example of this phenomenon is Secret in Their Eyes, a remake of the highly acclaimed 2009 Best Foreign Film Oscar winner from Argentina. Despite the presence of high-octane stars Nicole Kidman and Julia Roberts, as well as Chiwetel Ejiofor, in the cast, the new film never rises above the level of a routine thriller.

Secret in Their Eyes follows two investigations into the same crime occurring 13 years apart. In 2002, the teenage daughter of FBI agent Jess Cobb (Roberts) is brutally raped and murdered. Fellow FBI agent Ray Karsten (Ejiofor) soon arrests a suspect, but Assistant DA Claire Sloan (Kidman) has to release him because the man is working as an informant against possible post-9/11 terrorists. The suspect soon disappears, but years later, Karsten, now a private investigator, thinks that he has located the killer and seeks Claire’s help in making an arrest.

In the original version of Secret in Their Eyes, the victim was a married woman whose husband ‘s grief led the police detective to pursue the investigation of what had become a cold case. The detective empathized with the widower because of his own unrequited love for the prosecuting attorney. Ironically, replacing a relatively minor character in the original with Julia Roberts, who is an integral part of the task force, harms the entire dynamic of the film. Director Billy Ray beefs up Roberts’ role by providing flashback scenes of happier times with Jess and her daughter to explain Ray’s continued pursuit of the case for a decade, thus reducing Claire’s character to mere eye candy. The result is a routine procedural, replete with shootouts and chases, and not all that credible a one. The national security rationale for dropping the case given by the district attorney (Alfred Molina) never rings true with Jess sitting in the next room grieving about her lost daughter. Kidman still has the most effective moment in Secret in Their Eyes, an interrogation scene in which she uses her sex appeal to elicit an incriminating reaction by the suspect. Beyond that, the movie feels oddly drained of passion until the shock ending that, while still powerful, is far more muddled than in the original. There’s simply too little secret left in Secret in Their Eyes.
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