Deadpool: Mini-review


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Ryan Reynolds

Ryan Reynolds without mask, still with sense of humor.

BThe mantra, “With great power comes great responsibility,” has become the theme, not just of Spider-Man, but of virtually every other modern-day movie and comic superhero as well. They may be all-powerful, but they rarely have much fun. Against such a backdrop of gloom and angst, Deadpoolthe character, as well as the movie, is a gloriously excessive, frequently delightful exception.

Deadpool, the character, begins life as Wade Wilson (Ryan Reynolds), a cocky, profanity-spouting, quick-witted “merc(enary) with a mouth.” When he is diagnosed with terminal cancer, he leaves his hooker girlfriend Vanessa (Morena Bacarin) and undergoes a radical experimental treatment he thinks can cure him. Instead, the treatment turns Wade into a horribly disfigured mutant with remarkable healing powers. Wade escapes from Ajax (Ed Skrein), an arms dealer who devised the treatment and wanted to sell Wade as a superpowered slave. Then, as the costumed Deadpool, Wade seeks his revenge against his former captor. 

Although Deadpool‘s origin story is as grim as they come, the movie itself is a lighthearted romp, thanks to Ryan Reynolds, who never takes his role seriously, and a script that’s filled with self-aware references and quips. Reynolds breaks the fourth wall frequently, addressing the audience directly and poking fun at himself and the entire Marvel Comics universe in the process. Deadpool is the first film in years that lets Reynolds take full advantage of his fast-talking, snarky wit, and the movie’s R-rating means that much of the humor is hilarious yet unprintable. That rating also allows first-time director Tim Miller to cram the action scenes with stylishly shot, slow motion gore and carnage. However, Deadpool treats Wade’s romance with Vanessa (a character who is as quick-witted and foul-mouthed as Wade) seriously enough to keep the movie from becoming totally silly. Still, Reynolds’ non-stop barrage of foul-mouthed humor wears thin after a while. Fortunately, the final showdown, pitting Deadpool and a couple of mutant allies recruited from the X-Men franchise against Ajax and his superpowered henchwoman Angel Dust (Gina Carano), provides just the right blend of humor and action. That blend makes Deadpool unlike any other comic superhero film out there and may well breathe new life into an increasingly overwrought and predictable genre. 
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The Transporter Refueled: Mini-review


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Ray Stevenson

Ray Stevenson is the only actor worth mentioning in The Transporter: Refueled

D+The success of Luc Besson‘s essentially silly Transporter film series was due to one thing only: the screen presence of Jason Statham. Replacing him with Ed Skrein in The Transporter Refueled is the cinematic equivalent of replacing a RAM truck with a Yugo, and the result resembles a demolition derby.

The Transporter Refueled still pays lip service to the rules set up by lead character Frank Martin (now played by Skrein), an élite driver-for-hire who is willing to transport anything or anyone anywhere on a no-name basis for the right price. This time, the anyone is a quartet of multi-ethnic gorgeous hookers turned thieves who rip off their former employer, a typically brutal Eurotrash gangster. When Frank refuses to take part in the scheme after the original heist, the thieves retaliate by kidnapping Frank’s father (Ray Stevenson) and agree to release the elder Martin only if Frank cooperates.

While Statham’s version of Frank Martin was a largely amoral mercenary who wound up doing the right thing only because the villains were exceptionally sleazy characters, Skrein comes across as more of a Boy Scout trying to maintain some type of code of honor. To drive home the point, The Transporter Refueled saddles him with a recently retired secret agent Dad who disparages Frank’s job but conveniently has an abundance of skills Frank can and does call upon in a pinch. Ray Stevenson also conveniently has the acting skills and charisma that Skrein and his co-stars completely lack. I’m sure the script envisioned Frank and his dad as a modern-day version of Indiana Jones and his dad, but the results are worse than John McClane and son in A Good Day to Die HardA few of the stunts in Refueled are well staged (such as one involving Martin driving his car through an airport), and one fight involving Frank and some workmen at a nightclub has a Jackie Chan-style cleverness, However, the plot is muddled, the characters are complete stereotypes, and the film’s attempts at real drama are pathetically inept. Even with Statham, the Transporter franchise was largely running on fumes by its third movie; The Transporter Refueled is completely out of gas.
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