Irrational Man: Mini-review


Share This Article: Facebooktwittergoogle_plusredditpinterestlinkedinFacebooktwittergoogle_plusredditpinterestlinkedinby feather

Return to Silver Screen Central Home page

 

 

Joaquin Phoenix

Joaquin Phoenix looks quite rational here

C+For his annual exercise in film making, Woody Allen revisits one of his more intriguing themes, a look at crime and punishment through the eyes of a highly intelligent and ethically aware man. At least, Allen revisits that theme in the second, and much better, half of Irrational ManUnfortunately, before viewers have the slightest inkling of any criminal activity, they must endure over a half hour of Joaquin Phoenix at his most morose.

Phoenix stars in Irrational Man as Abe Lucas, a brilliant but burned out philosophy professor at a prestigious eastern college. When Abe overhears a conversation about a vindictive judge, however, he discovers a new purpose in his life, murdering the judge. Abe becomes invigorated, and both the women in his life, faculty wife Rita (Parker Posey) and student Jill (Emma Stone) quickly take notice. Although the planning of the crime goes well, Abe soon discovers that murder results in unforeseen legal and ethical complications.

If Allen could have figured a way to begin Irrational Man at the point Abe finds his inspiration, the movie could have been one of Allen’s better ones. Because, like Abe, Allen finds his inspiration at this moment in Irrational Man. In typical noir fashion, Abe finds himself increasingly entrapped by his scheming, but in a most unexpected way, leading to a classic dark comic ending. Along the way, Allen has fun having Abe and Jill struggle with the same ethical questions Abe posed as hypotheticals to his students early in the movie. Before that point, though, we get Allen and Phoenix at their most annoying. Allen may think that having two intelligent women fall all over themselves fawning over a guy who actually plays Russian roulette at a party is funny, but few other viewers will. Abe is not amusing, realistic, or interesting to anyone except Allen. Plus, Allen adopts a distracting device of having both Abe and Jill serve as voiceover narrators at different points in the movie. Irrational Man proves to be an irrational, inconsistent movie that will alienate viewers well before it actually entertains them.
Continue reading on Irrational Man: Mini-review »

Follow Us: FacebooktwitterlinkedinFacebooktwitterlinkedinby feather

Tags:
Categories:

Aloha: Mini-Review


Share This Article: Facebooktwittergoogle_plusredditpinterestlinkedinFacebooktwittergoogle_plusredditpinterestlinkedinby feather

Return to Silver Screen Central Home page

 

 

 

Bradley Cooper

Bradley Cooper won’t be headed back to the Oscars for his role in Aloha

C+Watch some parts of Aloha and it’s easy to see how writer/director Cameron Crowe could create movies like Jerry Maguire and Almost Famous. Watch the entire movie, however, and it’s easy to see how he’s become largely irrelevant in Hollywood in the last decade.

Actually, Crowe has been working on Aloha for nearly a decade through numerous cast and script changes. The finished product bears the mark of a project that’s been circulating since the Bush presidency. Brian Gilcrist (Bradley Cooper), a former Air Force whiz turned civilian contractor, is in Hawaii for a PR job that consists primarily of schmoozing some native Hawaiians into going along with a project that will allow billionaire Carson Welch (Bill Murray) to launch satellites into space from the island. The job also allows Brian to reconnect with former girlfriend Tracy Woodside (Rachel McAdams), now married to an Air Force officer (John Krasinski). Brian also makes some new connections with his Air Force liaison, Allison Ng (Emma Stone). 

Aloha bears the mark of a much longer film that was hastily edited down to a 105-minute running time. Key plot elements are unexplained or poorly explained, and characters’ personalities seem to change drastically from scene to scene. Alec Baldwin has three scenes in the movie as the commanding Air Force general, and he seems like three different people. The result is an at-times incomprehensible mess. To make matters worse, Stone (who’s supposed to be one-quarter Hawaiian) and Murray are badly miscast. However, Aloha is a mess with a lot of wonderful individual scenes such as Stone dancing with Murray or making music with some of the native Hawaiians. Cooper exudes his patented charm in several scenes with both Stone and McAdams, although he admittedly appears lost and befuddled in others. And even a miscast Bill Murray is fun to watch. All in all, about half of the movie consists of anywhere from good to almost magical scenes, including a great closing moment. Aloha is a movie that will be best enjoyed on video with the fast forward button handy to speed viewers through the messy scenes and linger on the good ones.
Continue reading on Aloha: Mini-Review »

Follow Us: FacebooktwitterlinkedinFacebooktwitterlinkedinby feather

Tags:
Categories: