Born to Be Blue: Mini-review


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Ethan Hawke

Ethan Hawke not looking all that blue

B+Musicians and drugs have had a long and unhappy relationship with each other, one that almost invariably ends in divorce (kicking the habit) or disaster. Jazz trumpeter Chet Baker was a rare exception, a man who managed to produce great music while remaining an admitted heroin addict for the last decades of his life. Writer/director Robert Budreau and star Ethan Hawke explore Baker’s life and art in the fanciful Born to Be Blue

Hawke plays Baker in the 1960’s and 70’s (Born to Be Blue‘s timelines are vague), as the trumpeter tries to recover from a stint in an Italian jail and a severe beating by drug dealers that shatters his front teeth. Baker begins methadone treatment, and, with the aid of dentures, Baker gradually and painfully regains most of his old form. Eventually, Dick, Baker’s former manager (Callum Keith Rennie) persuades record producers to give the trumpeter another audition. 

Director Budreau freely admits that many of the events in Born to Be Blue are completely fictional. Jane (Carmen Ejogo), the actress who becomes Baker’s supportive live-in girlfriend when he goes to California to rebuild his career, is a composite of Baker’s long-time wife and other women in his life. And the climactic performance at Harlem’s legendary Birdland Jazz Club, where Baker begins using heroin again, never occurred—the club closed two years before Baker lost his teeth. Instead of merely recreating key events in Baker’s life in Born to Be Blue, Budreau instead uses real and fictional events to show what made Baker the artist he was, drugs and all. The scene at Birdland in which Baker confesses to Dick that he needs heroin to make him play his best is so powerfully tragic that it might land Hawke an Oscar nomination. Indeed, it’s Hawke’s mournfully passive demeanor and the pain he shows while practicing in the bathtub until his mouth bleeds that make Baker a far more real character that many recent biodrama leads ever became. Born to Be Blue also benefits from a score featuring trumpet solos by Kevin Turcotte, who mimics Baker’s sound almost perfectly (Hawke also took trumpet lessons so he could play in time with the score). Truth may well be stranger than fiction, but Robert Budreau skillfully uses fiction in Born to Be Blue to show audiences the essential truth about Chet Baker.
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Sinister 2: Mini-review


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Shannyn Sossamon

Shannyn Sossamon is a mother in peril from two different directions in the horror sequel Sinister 2

B-All too often, horror sequels are nearly exact remakes of the original film with a few new faces on hand to replace the casualties from the first film. Surprisingly, Sinister 2 actually adds some new twists to a fairly original and creepy concept from the first movie.  Not surprisingly, the finale loses most of the originality and instead relies on tired old genre cliches. 

In the original film, Ethan Hawke was a true crime writer who discovered that the killings he was researching were the work of a demon called Bughul that possessed children and caused them to murder their families. In Sinister 2, a sheriff’s deputy (James Ransone) who helped Hawke out in the original film, has taken up the pursuit of Bughul. He learns that Bughul’s latest targets are Courtney Collins (Shannyn Sossamon) and her twin sons Dylan and Zach (played by actual twins, Robert Daniel Sloan and Dartanian Sloan). Courtney’s also got more human problems to deal with, an abusive ex-husband (Lea Coco), who’s trying to regain custody of his sons.

Sinister 2 builds on the original movie by adding real world menace in the form of a sadistic father plus some genuine mystery by giving the family in peril twin children, either of whom might be the next target for Bughul. Director Ciaran Foy also keeps the most effective gimmick from the earlier movie, the showing of earlier Bughul-inspired killings by means of primitive 8mm recordings of other families meeting their demises, often in gruesomely inventive manners. When added to some judicious use of jump scares, the result is a horror film that’s genuinely unsettling and hard to predict for most of its length, despite some new elements (like a possessed ham radio) that flat-out fail. James Ransone provides a rare example of a comic sidekick who works well when elevated to leading man status in the sequel, and the Sloan twins are also effective and credible. Unfortunately, the final showdown is extremely disappointing, as Foy resorts to a standard chase sequence followed by a ridiculously dumb, conventional ending. For about 90 percent of the movie, however, Sinister 2 is considerably more sinister than you’d expect from a knockoff horror sequel.
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