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Jim Parsons

Adults may enjoy Home better by visualizing Jim Parsons in his role as Sheldon

B-Let’s start with a confession: when watching animated films featuring familiar vocal talents such as Jim Parsons and Steve Martin in Dreamworks’ new HomeI sometimes visualize the actors themselves in their animated roles. Imagining color-changing six-legged versions of Sheldon and King Tut confronting each other  made it easier for me to get through the slow spots in the film.

Both Sheldon and Tut—pardon me, Oh and Captain Smek—are members of the Boov, the most benign group of alien invaders ever. They take over the Earth and banish everyone to cramped but colorful communities in Australia. Everyone except Tip (Rihanna), a tween girl who, with her cat Pig, is looking for her mother (Jennifer Lopez). She and Oh, whose cheerful manner and frequent foulups don’t sit well with the rest of the Boov, become reluctant traveling companions. 

Home is based on two interrelated quests: both Tip and Oh are trying to regain their place in a family or in a society. And, while the movie teaches some basic lessons about acceptance and the importance of family, it mostly involves frenetic chases and often silly slapstick. Towards that end, Steve Martin gets the lion’s share of the laughs as the Boov’s incompetent but self-important leader, Captain Smek. Martin has a lot of fun with the role and director Tim Johnson affords Smek plenty of both physical and verbal pitfalls. Much of Parsons’ humor is derived from the very strange manner in which he mangles the English language (English teachers will cringe at this movie). At times, Home may be tiring for adults, but it’s sincere and generally amusing, especially for the youngsters.
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The Boy Next Door: Mini-Review


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Jennifer Lopez

Jennifer Lopez points out one of the many gaping plot holes in The Boy Next Door

C-If you ever wondered what a typical Lifetime movie of the week would look like on CInemax, wonder no more; just watch The Boy Next Door. The R-rated woman-in-peril thriller has plenty of sizzle, thanks to Jennifer Lopez and her co-star Ryan Guzman, but not much of anything else, including intelligent plotting and actual thrills.

J-Lo stars as Clare Peterson, a high school literature teacher who has a one-night stand with hunky Noah (Guzman), her new next-door neighbor. He imagines they are soul mates, and, when she tries to let him down, he immediately turns into a younger male version of Alex in Fatal Attraction. Of course, Clare’s shy son sees Noah as his only friend and protector, making Clare’s situation more ticklish.

The Boy Next Door is the type of thriller in which audiences can inevitably predict what’s going to happen in the next two or three scenes. Plus, it contains the usual plot howlers such as a scene in which Noah gives Clare a “first edition” of Homer’s Iliad, a neat trick for a work that dates back at least 2,000 years before the invention of the printing press. The movie’s predictably grisly finale is enjoyably over the top, thanks to the freedom afforded director Rob Cohen by the R rating. That same freedom allows Clare and Noah’s sex scene to be as spicy as possible within the confines of Lopez’s no-nudity contract. Ten minutes of spice and mayhem, however, do not make up for the film’s other 80 minutes of predictably bland tedium.
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