The Night Before: Mini-review


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Seth Rogen

Seth Rogen reflects on his drug trip in The Night Before

B-Moviegoers this holiday season have already had the opportunity to see the umpteenth version of the prototypical Christmas get-together film, Love the CoopersNow, they get to see a most non-prototypical Christmas get-together movie, The Night Before, a film that has far more Seth Rogen than jolly St. Nick.

Rogen plays Isaac, who along with best buds Ethan (Joseph Gordon-Levitt) and Chris (Anthony Mackie) meet every Christmas Eve and visit the same places they did since they were teenagers. This year will be their last go-around, since Isaac’s wife Betsy (Jillian Bell) is expecting her first child and Chris’s NFL career is taking up too much of their time. But Ethan gets tickets to the best Christmas Eve party of all time, the legendary Nutcracker Ball, and the three friends plan to end their evening there. Of course, they run into numerous detours along the way.

Director Jonathan Levine and a host of writers, including Rogen’s comedy partner Evan Goldberg try to blend Rogen’s usual crudities with a sentimental Christmas movie and mostly succeed. Much of the crudity comes from an early Christmas present Betsy gives Isaac, a box filled with seemingly every drug known to man. When the drug jokes work, as when Isaac imagines the statues in a manger scene talking to him, The Night Before is hilarious. But Levine hasn’t mastered the art of keeping cutups like Rogen and James Franco (who plays himself in a cameo) under control, so some of the crudity simply falls flat and, worse, keeps going on anyway. Yet once the audience gets past the sex and drug jokes, The Night Before is, at heart, an often sweet bromance about three 30-something manchildren who finally realize they need to act like adults. Isaac has his fatherhood issues, Chris needs to address his steroid use and the impending end of his pro career, and Ethan must get over his fear of commitment that sabotaged his relationship with Diana (Lizzy Caplan), his ideal woman. Along the way, the guys do get some guidance from a most unlikely source, a scene-stealing drug dealer from their youth, played by Michael Shannon. The film’s attempts to mix raucous humor and the gentler moments don’t always work, but, with the help of a solid ensemble cast, The Night Before  winds up being a pleasant holiday surprise. 
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Love the Coopers: Mini-review


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Ed Helms

Ed Helms adds to his string of mediocre comedies

CChristmas movies are like Christmas fruitcakes; most of them are stuffed with overly sweet contents that really have no business being in the same film or dessert. Love the Coopers is a prime example. Its dysfunctional family members seem drawn from about a dozen different sitcoms, many of them bad, but the audience knows right away that the Christmas spirit will eventually solve all their problems.

For starters, Charlotte (Diane Keaton) and Sam (John Goodman) Cooper, who are hosting their annual Christmas Eve dinner, plan to tell their family they are divorcing after forty years of marriage. Son Hank (Ed Helms) can’t tell his family he’s out of work, and daughter Eleanor (Olivia Wilde) is so desperate to avoid confronting her folks that she asks a soldier (Jake Lacy) she meets at the airport to pose as her boyfriend. At least, they’re at the dinner; Charlotte’s sister Emma (Marisa Tomei) has been arrested for shoplifting and might spend the night in the slammer.

As in most films with multiple storylines, some of the subplots in Love the Coopers are better than others. Olivia Wilde does an excellent job in limited screen time of creating a believable, albeit confused, character, and the dialogue in her scenes with Jake Lacy sparkles. I could have easily watched an entire movie about the two of them. In addition, Charlotte’s father Bucky (Alan Arkin) has an unusual, hard-to-pin-down friendship with a much younger waitress (Amanda Seyfried) at the diner the retired teacher frequents. The relationship intriguingly wavers between physical longing and a substitute father/daughter bond. Their scenes provide what little real drama Love the Coopers has. Unfortunately, the film devotes the largest amount of screen time to the completely unbelievable friction between Charlotte and Sam. Their pending breakup results from the type of argument that exists only in movies as a plot device to enable a happy reconciliation. That’s not the only manufactured conflict in Coopers; by 2015, parents unwilling to admit they’re out of work is an equally tiresome device. Add to that bouts of PG-13 profanity and inappropriate flatulence from children and old people, and the enjoyable parts of Love the Coopers become hard to find. Fortunately, this movie has opened in early November, so it’s unlikely to be in theaters at a time when it can spoil a real family’s Christmas. at the movies 
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