The Last Witch Hunter: Mini-review


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Vin Diesel

Vin Diesel isn’t very magical in The Last Witch Hunter

DWatching Vin Diesel struggle through The Last Witch Hunter gave me a renewed appreciation for the talents of Nicolas Cage, who has headed up the cast in many a similar movie in recent years. With Diesel in the title role, The Last Witch Hunter is a plodding, somber mess. With Cage, the movie would still have been a mess, but it could have been a goofy guilty pleasure.

As the title implies, Diesel is Kaulder, an immortal who, for the last 800 years has hunted down misbehaving witches and imprisoning them. His only helpers are a line of priests called dolans, most recently Michael Caine (who’s dispatched about 30 minutes into the movie) and now Elijah Wood. Now, however, the Witch Queen (Julie Engelbrecht) that Kaulder killed originally wants to return and unleash a plague on the world. 

The Last Witch Hunter is a bad movie on many levels. The plot makes little sense, even by the standards of these types of films, and the characters spend far too much time explaining the mythology of the film. The movie needs a light touch, but efforts at humor are few and far between. Most of the actors appear extremely uncomfortable in their roles, except for Michael Caine, who is dispatched about 30 minutes into the movie and good witch Chloe (Rose Leslie), the only mildly interesting character in the film. The Witch Queen is an extremely underwhelming villain; she looks like she spent the last 800 years in a mud bath. Still, she looks better than the medieval version of Diesel, who looks like he wandered off the set of the Vikings TV series. The film carries a PG-13 rating, which limits the amount of gore and skin that can be shown. As a result. director Breck Eisner fills the screen with overloaded, confusing, bad CGI images, making the final showdown nearly impossible to decipher. Worst of all, The Last Witch Hunter ends with Kaulder and Chloe riding off into the sunset in his spiffed up Aston Martin looking for more witches to hunt. Unless that hunt involves some of his Fast and Furious castmates, you’d better hope that any sequel is another 800 years in coming.  
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Furious 7: Mini-Review


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Vin Diesel

Fans will enjoy seeing Vin Diesel just do what he does best in Furious 7

B+Watching the Fast and the Furious franchise as it has unfolded over the last 14 years is like watching a racing team take a fast car and keep tinkering with it to improve its performance. Some things work (Fast 5); some don’t (Tokyo Drift). At long last, in the current Furious 7they’ve gotten the franchise’s performance as finely tuned as it can get.

Plot has never been a strong point of this series, and Furious 7 is no exception. Deckard Shaw (Jason Statham), the brother  of the last film’s master villain has vowed revenge on Dom Toretto (Vin Diesel), Brian O’Conner (Paul Walker), and the rest of their “family,” and Dom is determined to put a stop to it. Dom agrees to help a covert government op named Mr. Nobody (Kurt Russell) in exchange for getting the information needed to find Shaw. The help, of course, involves nearly two hours of hair-raising chases, fights, and eye-popping set pieces to rescue a kidnapped hacker and get access to her super secret tracking device.

From an action standpoint, Furious 7 consists of an ever escalating “can you top this” sequence of set pieces that seem, for the most part, to have been performed using real vehicles and stunt people rather than a computer graphics board. Director James Wan steps away from his usual horror films and captures the frenetic energy of the fights and chases. There’s some fast editing (probably to cover up action that simply couldn’t be done in a single shot), but audiences can easily follow what’s going on. Beyond the action, though, is the soap operatic coda of the series, as Dom repeatedly talks about family. Some of this dialogue is clunky, especially in the movie’s first half hour, but the final scene in which the filmmakers say goodbye to Paul Walker (who died during filming) is genuinely moving. Furious 7 was made by people who cared about each other and their audience, and the filmmakers don’t cut corners or pull punches in an effort to deliver every thrill they can. At the end, Furious 7 takes the checkered flag.
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