Zoolander 2: Mini-review


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Ben Stiller

Ben Stiller looking far less ridiculous than he does in Zoolander 2

D+Sometimes, movie sequels are worth the wait. George Miller spent nearly 30 years developing Mad Max: Fury Road, and the result was one of the best films of 2015. And sometimes they aren’t. Ben Stiller waited 15 years after the original to make Zoolander 2, and the result is one of the worst films of 2016.

Zoolander was a satire on the fashion industry and, specifically, handsome but empty-headed male models like Derek Zoolander (Stiller) and his arch-rival Hansel (Owen Wilson). The sequel pretty much goes over the same ground, with the now over-the-hill Derek and Hansel teaming up with Interpol agent Valentina Valencia (Penelope Cruz) to investigate the assassinations of various celebrities, including Justin Bieber. Eventually, the trail leads to the villainous fashion designer from the original film, Mugatu (Will Ferrell).  

Stiller’s social satire was already on the way out in 2001, and it’s completely passé now, as nobody really cares all that much about high fashion in a social media world in which a single viral video can turn anyone into a trendsetter. Nor has Stiller found any suitable replacement targets for his barbs. Indeed, the opening segment, which pokes fun at Bieber and the selfie phenomenon, is about the only thing remotely resembling cutting edge satire in Zoolander 2. Lacking any good new material, Stiller doubles down on the idiocy humor, outlandish outfits, and celebrity cameos that occasionally worked in the original movie. However, he repeats the same jokes numerous times to increasingly lesser effect. He also adds a new character in Zoolander 2, Derek’s overweight, tweener son (Cyrus Arnold). This character allows Stiller both to insert tasteless, unfunny fat jokes into the script and, at the same time, hypocritically feign a theme of tolerance. Occasionally, the new material is funny, most notably in Kristen Wiig‘s hilarious performance as a designer who mangles the English language worse than she mangles fashion. Far more often, it isn’t, such as Benedict Cumberbatch‘s bizarre androgynous model named All. In a movie that glorifies stupidity, the single dumbest thing about Zoolander 2 was the decision to make the film in the first place.    
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While We’re Young: Mini-Review


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Ben Stiller

Ben Stiller taps into middle age angst in While We’re Young

BSatchel Paige, who played major league baseball well into his 40’s, once famously said, “Don’t look back. Something might be gaining on you.” At the start of Noah Baumbach‘s insightful new comedy, While We’re Young, Josh (Ben Stiller) and Cornelia (Naomi Watts) Srebnick do look back and find that middle age is gaining on them faster than they’d care to admit. The only question is what they’re going to do about it.

The problem is a bit more telling for Josh, since he’s a documentary producer with one critical success quite a few years back and a current project that’s not finished despite his continuing to work on it for ten years. However, they both feel something is missing in their lives but find what they think is the answer in a friendship with Jamie (Adam Driver) and Darby (Amanda Seyfried) a mid-20’s couple who enjoy spending time with them despite the age and culture difference. However, this Fountain of Youth is fleeting, as Josh eventually realizes that Jamie is using the older couple as a stepping stone in his own filmmaking career.

While We’re Young marks a welcome return to form for both Stiller and Baumbach, both of whose careers bear certain resemblances to that of the fictional Josh. Stiller is vulnerable, not annoying here, and Baumbach has filled the movie with clever cultural and generational observations. A sequence in which Josh and Cornelia attend a New Age session that involves throwing up in a communal bucket is the funniest in the film. While We’re Young is also, almost by default, a welcome return for Charles Grodin, too seldom seen in recent years, who steals the film as Josh’s disapproving father-in-law who finds Jamie much more of a kindred spirit. The movie rambles on somewhat in its last 20 minutes, as if Baumbach couldn’t figure out just what points he wanted to make, but it closes on an appropriately sweet note. While We’re Young is an entertaining, insightful film to see for both the young and not-so-young.  
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