Star Wars: Episode VII – The Force Awakens: Mini-review


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Daisy Ridley

Daisy Ridley getting her first taste of media attention

B+The long wait for the most eagerly anticipated movie since Gone with the Wind is over. Star Wars: Episode VII – The Force Awakens has arrived in movie theaters with the impact of the Death Star satellite, and the force is definitely with this film, although any originality seems to have disappeared along with the Jedi.

Force Awakens is a sequel to the original Star Wars trilogy, taking place some 30 years after Return of the JediBy now, the evil First Order is taking control of the galaxy from the weakened Republic, and Luke Skywalker (Mark Hamill), the Republic’s only hope, has gone into hiding. A basketball shaped droid named BB-8 has a map to Luke’s location, and Rey (Daisy Ridley), a young scavenger, and Finn (John Boyega), a former storm trooper who developed a conscience, team up with Han Solo (Harrison Ford) to get the information to resistance forces led by now-General Leia (Carrie Fisher).

If the plot description of Force Awakens sounds familiar, it is. Director J.J. Abrams and co-screenwriter Lawrence Kasdan have essentially recreated the universe from the original Star Wars trilogy and added a few new faces. There’s a new villain, Kylo Ren (Adam Driver), who wears a mask as homage to his role model, Darth Vader, and a cantina scene that’s eerily like the one in the first Star Wars movie. Rey, Finn, and a third new hero, pilot Poe Dameron (Oscar Isaac), seem like variants on Han, Leia, and Luke, as if the writers shuffled all the old character traits together and assigned them at random to the new characters. The technical effects are first-rate, but not overdone, and Abrams has learned from George Lucas the art of casually introducing the most bizarre creatures and settings as if they are completely normal. What’s missing from Force Awakens is that sense of wonderment throughout the original trilogy that viewers felt when something or someone truly novel like Yoda first appeared. Instead, every plot development gives audiences a sense of déjà vu. Force Awakens isn’t imitation, but it’s nothing more than an extremely well done variation on a theme. The movie will be very comforting for fans of the franchise who became disenchanted with Lucas’ second trilogy and quite enjoyable for general audiences, but slightly disappointing for those who would rather have seen more of the J.J. Abrams who created Lost rather than the one who reinvigorated Star Trek.  
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While We’re Young: Mini-Review


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Ben Stiller

Ben Stiller taps into middle age angst in While We’re Young

BSatchel Paige, who played major league baseball well into his 40’s, once famously said, “Don’t look back. Something might be gaining on you.” At the start of Noah Baumbach‘s insightful new comedy, While We’re Young, Josh (Ben Stiller) and Cornelia (Naomi Watts) Srebnick do look back and find that middle age is gaining on them faster than they’d care to admit. The only question is what they’re going to do about it.

The problem is a bit more telling for Josh, since he’s a documentary producer with one critical success quite a few years back and a current project that’s not finished despite his continuing to work on it for ten years. However, they both feel something is missing in their lives but find what they think is the answer in a friendship with Jamie (Adam Driver) and Darby (Amanda Seyfried) a mid-20’s couple who enjoy spending time with them despite the age and culture difference. However, this Fountain of Youth is fleeting, as Josh eventually realizes that Jamie is using the older couple as a stepping stone in his own filmmaking career.

While We’re Young marks a welcome return to form for both Stiller and Baumbach, both of whose careers bear certain resemblances to that of the fictional Josh. Stiller is vulnerable, not annoying here, and Baumbach has filled the movie with clever cultural and generational observations. A sequence in which Josh and Cornelia attend a New Age session that involves throwing up in a communal bucket is the funniest in the film. While We’re Young is also, almost by default, a welcome return for Charles Grodin, too seldom seen in recent years, who steals the film as Josh’s disapproving father-in-law who finds Jamie much more of a kindred spirit. The movie rambles on somewhat in its last 20 minutes, as if Baumbach couldn’t figure out just what points he wanted to make, but it closes on an appropriately sweet note. While We’re Young is an entertaining, insightful film to see for both the young and not-so-young.  
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