Keanu: Mini-review


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Keegan Michael Key Jordan Peele

Key and Peele won’t be getting a Peabody Award for Keanu

BThe old saying goes that you can’t make a funny movie based on a single joke. However, the comedy team of Key and Peele show in their new film Keanu that a two-joke movie can be hilarious, as long as one of the jokes involves a kitten.

The kitten in this case is named Keanu, and he winds up on the doorstep of despondent photographer Rell (Jordan Peele), whose girlfriend just dumped him. Keanu immediately lifts Rell’s spirits and gives his new owner a new lease on life, at least until he’s kitten-napped by drug dealer Cheddar (Method Man). When Rell and his cousin Clarence (Keegan-Michael Key) try to get Keanu back, they instead wind up as part of Cheddar’s crew, helping take care of the gangster’s business, including going along on a drug sale at Anna Faris‘ home.

Kittens are both adorable and hilarious, as millions of YouTube videos demonstrate, and Keanu director Peter Atencio (a veteran of the Key and Peele TV series) puts the title kitten through the wringer as it is repeatedly on hand during several bloody, slow motion shootouts among drug dealers and cops and always winds up, not only unscathed but also adopted, by Cheddar and a host of his rivals during the course of the movie. That joke always seems to work, in part because the various kittens playing Keanu are just so darn cute. In addition to kitten humor, the movie’s other running joke involves Key and Peele, perhaps the two most completely straight arrow, middle class black comics around, being mistaken by Cheddar for a pair of stone cold hitmen. The cousins try their best to live up to the roles, spouting F-bombs and N-words left and right, as they adopt their new personas as “Tectonic” and “Shark Tank.” Sometimes, the jokes work, as when Clarence instills a love of George Michael in Cheddar’s crew. And sometimes, they don’t, as with some bizarre dream sequences. In any event, the faux gangsta humor runs on too long, and little Keanu is absent for a considerable stretch in the middle of the movie. Still, Key and Peele have tremendous comic chemistry together, even when their material lags a bit. Like its title character, Keanu is a keeper.
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Pitch Perfect 2: Mini-Review


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Anna Kendrick

Anna Kendrick’s presence is far less noticeable in Pitch Perfect 2 than in the original

B-Pitch Perfect 2 tries to honor the time-worn tradition for Hollywood sequels: take what the audience liked about the first movie and give them more of it. Unfortunately, that immediately runs into a problem. What made the original Pitch Perfect a viral home video hit was its fresh perspective (as exemplified by the deceptively simple and catchy “Cups” song), and that freshness is long gone from the sequel.

Instead, Pitch Perfect 2 follows a familiar storyline. The Barden Bellas’ a capella success in Pitch Perfect comes crashing down when they are suspended after Fat Amy (Rebel Wilson) flashes the President during a command performance. To be reinstated, they must win the upcoming World Championships against the German champions, a mechanical but talented group called Das Sound Machine. Their task is more difficult because their most talented member, Becca (Anna Kendrick) is spending less time with the group and more time working as an intern for an eccentric record producer (Keegan-Michael Key). 

The scenes with Kendrick and Key are the best non-musical moments in Pitch Perfect 2, because they are offbeat and different. Other than that, the sequel strains for humor with jokes that are borderline sexist and racist, especially the constant sexual slurs by event commentator John Michael Higgins. Many of the jokes are at the expense of Amy, who is turned into a sex-obsessed nincompoop. Apparently, screenwriter Kay Cannon thinks the mere idea of a large woman enjoying sex is hilarious. Fortunately, Pitch Perfect 2 never goes too long without a musical number. Elizabeth Banks, who co-stars as Higgins’ co-commentator, directs, and she avoids over editing the musical routines so the audience can appreciate the choreography. The sequel also wisely copies and actually improves on one of the best sequences in the original, the riff off, this time involving, of all people, the Green Bay Packers. The best musical sequence of all is the surprisingly rousing finale, “Flashlight,” the one original song in the film (and a surefire Oscar nominee). Despite a distressing number of missteps along the way, Pitch Perfect 2 finally goes back to what it does best and sends the audience home happy. 
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