How to Be Single: Mini-review


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Rebel Wilson

Rebel Wilson plays the same character for about the 100th time in How to Be Single

C-The producers of How to Be Single undoubtedly are hoping that audiences will flock to see the film to get a glimpse at a new Sex and the City. What they will actually see, however, consists mostly of unformed story ideas that play like potential plot threads that got rejected in the first round of a Sex and the City brainstorming script session.

How to Be Single tells the interrelated stories of four single women in New York City. The main character is Alice (Dakota Johnson), who somewhat arbitrarily breaks up with her longtime boyfriend Josh (Nicholas Braun) and moves to the Big Apple, only to find her various new relationships equally unsatisfying. The only other remotely well-developed character is Alice’s sister, Meg (Leslie Mann), a doctor who gets artificially inseminated only to find herself attracted to Ken (Jake Lacy), a man 15 years her junior.

A movie solely about the love lives of Meg and Alice might have been fairly interesting.  Mann’s storyline is by far the most interesting, and she, as usual, brightens up every scene in which she appears. Johnson’s storyline is considerably more confusing because Alice clearly doesn’t know what she wants, and, worse, the writers don’t seem to know what her character wants either until the last five minutes of the movie. To its credit, How to Be SIngle then manages to end on a fresh, somewhat surprising note. Alas, Meg and Alice aren’t the only single women in the movie. There’s Lucy (Alison Brie), whose sole purpose seems to be explaining the nuts and bolts of internet dating to the audience. An even worse character in How to Be Single is Robin, Rebel Wilson‘s umpteenth variation on the same over-sexed character. Her purpose ostensibly is to provide comic relief and show the somewhat naïve Alice around town, but the only people who will find this character amusing are those who think that the very idea of overweight women enjoying sex is hilarious. Despite a few good scenes involving Mann and Johnson, How to Be Single never comes together as a coherent, consistently funny movie. Instead, it plays like an exercise in how to fail at movie making.
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Pitch Perfect 2: Mini-Review


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Anna Kendrick

Anna Kendrick’s presence is far less noticeable in Pitch Perfect 2 than in the original

B-Pitch Perfect 2 tries to honor the time-worn tradition for Hollywood sequels: take what the audience liked about the first movie and give them more of it. Unfortunately, that immediately runs into a problem. What made the original Pitch Perfect a viral home video hit was its fresh perspective (as exemplified by the deceptively simple and catchy “Cups” song), and that freshness is long gone from the sequel.

Instead, Pitch Perfect 2 follows a familiar storyline. The Barden Bellas’ a capella success in Pitch Perfect comes crashing down when they are suspended after Fat Amy (Rebel Wilson) flashes the President during a command performance. To be reinstated, they must win the upcoming World Championships against the German champions, a mechanical but talented group called Das Sound Machine. Their task is more difficult because their most talented member, Becca (Anna Kendrick) is spending less time with the group and more time working as an intern for an eccentric record producer (Keegan-Michael Key). 

The scenes with Kendrick and Key are the best non-musical moments in Pitch Perfect 2, because they are offbeat and different. Other than that, the sequel strains for humor with jokes that are borderline sexist and racist, especially the constant sexual slurs by event commentator John Michael Higgins. Many of the jokes are at the expense of Amy, who is turned into a sex-obsessed nincompoop. Apparently, screenwriter Kay Cannon thinks the mere idea of a large woman enjoying sex is hilarious. Fortunately, Pitch Perfect 2 never goes too long without a musical number. Elizabeth Banks, who co-stars as Higgins’ co-commentator, directs, and she avoids over editing the musical routines so the audience can appreciate the choreography. The sequel also wisely copies and actually improves on one of the best sequences in the original, the riff off, this time involving, of all people, the Green Bay Packers. The best musical sequence of all is the surprisingly rousing finale, “Flashlight,” the one original song in the film (and a surefire Oscar nominee). Despite a distressing number of missteps along the way, Pitch Perfect 2 finally goes back to what it does best and sends the audience home happy. 
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