My Big Fat Greek Wedding 2: Mini-review


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Nia Vardalos

Nia Vardalos isn’t the one getting married this time

C- My Big Fat Greek Wedding 2, the sequel to Nia Vardalos‘ charming romantic comedy smash hit of 2002, doesn’t feel like a sequel so much as the finale of a long running television series like M*A*S*H or Lost Those with fond memories of the original movie, however, may recall that it actually was adapted into a 2003 TV series that lasted all of seven episodes. Unfortunately, My Big Fat Greek Wedding 2 demonstrates over and over why all the charm wore off after seven episodes.

Nia Vardalos returns as Toula, the bride at the first wedding, who has now been married 17 years. Her extended Greek family is as close-knit as ever and are shocked to learn that Toula’s mom Maria (Lainie Kazan) and dad Gus (Michael Constantine) have never been legally married due to a clerical error on the marriage certificate. The solution is to hold another big fat Greek wedding, but first, Maria has to decide if Gus is worth marrying a second time.

The original Big Fat Greek Wedding was based on a highly personal screenplay by Vardalos that reflected her deep ethnic pride and family identity, along with the angst of a single woman approaching that age and some zany anecdotes based on her own relatives. My Big Fat Greek Wedding 2 reduces all of that to a barrage of sitcom humor, heavy on the booze, PG-13 sex, and addled elderly relative jokes. Some of it is funny, the first time, but the punchlines from the first movie (such as Gus’s omnipresent Windex bottle) are repeated endlessly. Further, it seems as if every single member of the gigantic ensemble cast has to appear and be given something to do in every scene. Toula, her husband Ian (John Corbett) and teenage daughter Paris (Elena Kampouris) struggle to find screen time, even though Paris’ storylines are the freshest in the movie. The movie still manages some sweet moments (Kazan and Constantine have great chemistry together), but they tend to get drowned out in all the bustle and noise. All too often, My Big Fat Greek Wedding 2 isn’t an event you’d like to attend, but, rather, your next door neighbor’s blaring party that keeps you awake all night.
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Star Wars: Episode VII – The Force Awakens: Mini-review


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Daisy Ridley

Daisy Ridley getting her first taste of media attention

B+The long wait for the most eagerly anticipated movie since Gone with the Wind is over. Star Wars: Episode VII – The Force Awakens has arrived in movie theaters with the impact of the Death Star satellite, and the force is definitely with this film, although any originality seems to have disappeared along with the Jedi.

Force Awakens is a sequel to the original Star Wars trilogy, taking place some 30 years after Return of the JediBy now, the evil First Order is taking control of the galaxy from the weakened Republic, and Luke Skywalker (Mark Hamill), the Republic’s only hope, has gone into hiding. A basketball shaped droid named BB-8 has a map to Luke’s location, and Rey (Daisy Ridley), a young scavenger, and Finn (John Boyega), a former storm trooper who developed a conscience, team up with Han Solo (Harrison Ford) to get the information to resistance forces led by now-General Leia (Carrie Fisher).

If the plot description of Force Awakens sounds familiar, it is. Director J.J. Abrams and co-screenwriter Lawrence Kasdan have essentially recreated the universe from the original Star Wars trilogy and added a few new faces. There’s a new villain, Kylo Ren (Adam Driver), who wears a mask as homage to his role model, Darth Vader, and a cantina scene that’s eerily like the one in the first Star Wars movie. Rey, Finn, and a third new hero, pilot Poe Dameron (Oscar Isaac), seem like variants on Han, Leia, and Luke, as if the writers shuffled all the old character traits together and assigned them at random to the new characters. The technical effects are first-rate, but not overdone, and Abrams has learned from George Lucas the art of casually introducing the most bizarre creatures and settings as if they are completely normal. What’s missing from Force Awakens is that sense of wonderment throughout the original trilogy that viewers felt when something or someone truly novel like Yoda first appeared. Instead, every plot development gives audiences a sense of déjà vu. Force Awakens isn’t imitation, but it’s nothing more than an extremely well done variation on a theme. The movie will be very comforting for fans of the franchise who became disenchanted with Lucas’ second trilogy and quite enjoyable for general audiences, but slightly disappointing for those who would rather have seen more of the J.J. Abrams who created Lost rather than the one who reinvigorated Star Trek.  
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