Maze Runner: The Scorch Trials: Mini-review


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Dylan O'Brien

Dylan O’Brien’s latest Maze Runner movie has plenty of zombies

B-At the end of last year’s The Maze Runner, the movie’s hero Thomas (Dylan O’Brien) got a glimpse of the world beyond the maze that surrounded the glade in which he and his fellow inhabitants found themselves. Not surprisingly, it didn’t appear to be a very nice place to live. In the current sequel, Maze Runner: The Scorch Trials, Dylan and his fellow escapees from the maze find out just how unpleasant the world is. Here’s a hint of what they find: post-apocalyptic zombies. 

Scorch Trials is essentially one long chase, as Thomas, Teresa (Kaya Scodelario), Newt (Thomas Brodie-Sangster), and the rest flee from the underground complex to which they are taken after leaving the maze. WCKD, the organization that built the maze, wants to harvest their bodily fluids to find a cure for the virus that has decimated the earth and created a horde of ravenous zombies. WCKD’s director, Ava Paige (Patricia Clarkson), and her top lieutenant, Janson (Aidan Gillen), try to find Thomas and friends, who are making their way through a desolate wasteland in hopes of joining up with a resistance group in the distant mountains.

As an action film, Scorch Trials is an improvement on the original Maze Runner. The zombies (called cranks in the film) are fast-moving, like those in World War Zand Scorch Trials has two exciting zombie chase sequences. There’s plenty of traditional action as well, as director Wes Ball never lets the plot get bogged down by lengthy exposition. Thomas and viewers only gradually learn all they need to about the post-apocalyptic world where they find themselves, so the pace never slows down. The action does come at the expense of any real character development though. O’Brien has a good turn in his expanded role as the group’s leader, but most of the rest of the actors seem to be there only to make the action more large-scale and to provide an occasional sympathy-eliciting victim. The camaraderie and rivalries that were the best part of the original movie are now gone. On the other hand, from a science fiction standpoint, the first movie never really got past the gimmick of finding a way out of the maze, but Scorch Trials gradually opens up an intriguing world beyond. Viewers don’t learn all the answers in Scorch Trials, but the movie does a good job of setting the stage for a final chapter in the saga in two more years.
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Learning to Drive: Mini-review


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Patricia Clarkson

Patricia Clarkson sparkles in a rare lead role

BMovies starring actresses with a trace of gray in their hair who aren’t named Meryl Streep or Julianne Moore are quite rare today. So are movies about serious platonic relationships between heterosexual couples. So, Learning to Drive provides some seldom-seen delights for viewers interested in more serious, well-written fare.

The movie’s platonic couple are Wendy (Patricia Clarkson) and Darwan (Ben Kingsley). She’s a writer and literary critic in New York whose husband of some 20 years (Jake Weber) has just left her for a younger woman. He’s a Sikh driving instructor and taxi driver, granted political asylum in the U.S. so he can’t return to his native India, even for a visit. What starts as an effort to get some order in her life and simply a part of his job winds up blossoming into a real friendship.

Learning to Drive is a small, rather brief movie that is content to have its characters take small steps rather than solve all their life problems in less than 90 minutes. Clarkson is particularly radiant here, but the film makes it clear that radiance wasn’t always on display during her marriage. Kingsley has mastered this dignified sage role, but his Darwan too has a dark side, a temper and imperiousness that shows in his relation with his new wife (Sarita Choudhury), the product of a marriage arranged by his mother. For a movie this short, Learning to Drive never seems rushed. Instead, the script lets the relationship between Wendy and Darwan develop naturally. In part that’s because the script requires them to spend considerable time two feet apart in the confines of a car, a situation that encourages eventually revealing confidences to one another. Also, director Isabel Coixet wisely decides not to waste time with lame attempts at supposedly funny, bad driving set pieces. Even so, by the end of Learning to Drive, viewers feel they want to see more of Wendy and Darwan than the film allows. But Learning to Drive is a movie about minor accomplishments, and a successful film of that nature is actually a major accomplishment nowadays. 
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